We return from intermission moving full force into Resistance (2016). Based on The Umbrella Movement, a pro-democracy political movement that was born spontaneously during the Hong Kong protests of 2014 by high school students, Catapult moves beyond the constraints of this literal resistance movement, exploring our own experience and understanding of oppression. The resulting montage examines the ways humans interface with restrictions to their personal freedom. We examined and explored the potency of restricted freedom in intimate relationships as well as the pull of the group, challenging our own ability to make a true personal choice for fear of rejection. Relevant in today’s political climate, Resistance moves between the freedom some people feel with solid, clear boundaries in heir lives and the way this makes them feel more capable of feats otherwise unimaginable to them, in comparison to the restrictive, strangling feeling of imprisonment and helplessness others feel in similar circumstances. Ending the evening on a note of hope, Dawn (2018), the final piece still in process, will bring us back to our innate human nature to create community, believe in the impossible and search for freedom. At times of great tribulation, there is sometimes a feeling of great hope. Such a time exists right now. We look at the political decimation of last year and the current of fear and hopelessness in our communities. We reflect on the way, once again, people are beginning to rise up. From the #metoo movement to our own high school activists, change is in the air, bringing back a sense of hope in a time when our voices may seem ineffectual. These renegades are finding their personal power and banding together to create an invincible force, refusing to give up.

I Am Not A Small Woman

About the Performance

Catapult Dance will present a full evening performance of four

of their most recent works, I Am the Bully (2014), Resistance (2016),

and two premiere works, Skin, and Dawn, still in process.

                      Erickson Theater in Capitol Hill,

               June 29 & 30, and July 6 & 7, 2018 at 8 pm. 

About the Program

This program is an exploration of power: the power of the individual, community, and humanity as a whole. It explores the effects of both the abuse and justified use of power among communities, between people and internally within ourselves. While the program takes a particularly political tone it is also very personal, creating an interesting juxtaposition.  In a single evening, we take on the topics of bullying, gender, and the radical political actions of common people. Celebrating the indomitable strength of the human spirit is at the core of each of these pieces. As a company, Catapult is committed to using dance as a vehicle to stimulate conversation about pertinent issues of our day. Creating a community space to allow for this conversation, after each performance we will invite the audience to participate in a community café, asking questions and sharing their experiences, providing an immediate opportunity to unpack what they saw, heard and felt.

The evening begins with the gentle, sensual piece Skin (2018), Catapult takes the audience down a notch, inviting them into the world of gender stereotypes and their effects on women in our culture today. A longing for a deeper understanding and conversation around traditional, gender-based expectations of behavior brought about this piece. We began with months of role-playing, examining the farthest ends of the gender spectrum: hyper-masculinity and hyper-femininity. Looking for new vocabulary from which to draw movement material, we invited Tango instructor Juliet McMains to teach basic tango movements and discuss the lead/follow roles. We examined Facebook photos and selfies of both men and women, and listened and discussed many TED talks on gender. The result is a playful, sensual examination of the impact of gender-based perceptions and restrictions on women in today’s evolving society.

The next work I AM the Bully (2014), investigates the psychology behind bullying. Displaying simultaneous strength and vulnerability, the movement delves deep into the psychology of the bully, revealing their insecurity and need for self-preservation beneath the dancers’ aggressive, erratic behavior. The physically demanding, almost brutal choreography suddenly becomes extremely evocative within the context of bullying, triggering in the viewer an intense kinesthetic understanding of ancient, deeply embeddedd human nature. Ending inconclusively, the piece implies no particular answers. Parent Coach Sara Cole advised the company on the psychology of bullies during the rehearsal process, sharing information about the creation of bullies sociologically and their shift away from this behavior, allowing for a dance that is physically powerful and visually stimulating, while making a relevant social comment on a pressing issue of our day.